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Palmeira Square is a mid-19th-century residential development in Hove, part of the English city and seaside resort of Brighton and Hove. At the southern end it adjoins Adelaide Crescent, another architectural set-piece which leads down to the seafront; large terraced houses occupy its west and east sides, separated by a public garden; and at the north end is one of Hove's main road junctions. This is also called Palmeira Square, and its north side is lined with late 19th-century terraced mansions. Commercial buildings and a church also stand on the main road, which is served by many buses (some of which terminate there). The land was originally occupied by "the world's largest conservatory", the Anthaeum—a visitor attraction planned by botanist, author and building promoter Henry Phillips. The giant dome's collapse and total destruction on the day it was due to open in 1833 made Phillips go blind from shock, and the debris occupied the site for many years. Work began in the early 1850s and was largely complete in the mid-1860s, although commercial and residential buildings such as Palmeira House and Gwydyr Mansions continued to be added at the northern end throughout the late 19th century. English Heritage has listed the residential buildings on the western, eastern and northern sides of the square at Grade II for their architectural and historical importance, although one building has the higher Grade II * status because of its opulent custom-designed interior. ==History== The ancient parish of Hove covered of good agricultural land on the southern slopes of the South Downs, leading down to the English Channel. There was Celtic and Roman occupation of the area, and a Bronze Age barrow was found close to Palmeira Square's northern end when the land was being developed. Inside was a wooden coffin, a stone axe, a bronze dagger and the Hove amber cup, a relic of national significance now held at the Brighton Museum & Art Gallery. Some estimates dated the barrow as early as 1500 BC,〔 but radiocarbon dating indicates the burial took place in about 1239 BC.〔 One of the main farms was Wick Farm,〔 which covered about of land immediately west of the parish boundary with Brighton. The first post-Norman Conquest landowners were the de Pierpoints; in 1573 the estate was bought by the Stapley family, of which Anthony Stapley became famous as one of the regicides of King Charles I. In 1701 it was acquired by the Scutt family from Brighton. Western Road and its continuation Church Road, the earliest east–west route through Hove, bisected the estate. On the land was a chalybeate spring, later called St Ann's Well, which became a popular visitor attraction by the mid-18th century. In the early 19th century, its fashionable reputation increased as neighbouring Brighton began to grow rapidly as a high-class seaside resort. Following the lead of Queen Adelaide, who would ride to St Ann's Well to visit the spa and take the waters,〔 wealthy residents and visitors to Brighton travelled across the parish boundary to walk round the gardens, visit the ornate pump-room and enjoy the apparently health-giving properties of the iron-rich water. Rev. Thomas Scutt, who owned the Wick Estate land by the 1820s, started to sell plots of land to "capitalis() on the insatiable demand for building land along the seafront". Brunswick Town was the first result of this, and when Sir Isaac Goldsmid, 1st Baronet bought the rest of the land (over ) in 1830 he continued Hove's residential expansion by commissioning Decimus Burton to design Adelaide Crescent〔 and by agreeing to fund the construction of "the world's largest dome" at its northern end. The ostentatious Anthaeum, proposed by botanist and horticultural writer Henry Phillips and designed by prominent local architect Amon Henry Wilds, was to have been a vast circular conservatory containing exotic plants and trees. It was built between 1832 and 1833 but collapsed spectacularly the day before its scheduled opening date, making Phillips go blind from shock and apparently distressing Goldsmid so much that he abandoned any further plans for development of his land〔 for 20 years—during which time the wrecked glass and iron structure lay where it fell at the north end of the incomplete Adelaide Crescent.〔〔 In the early 1850s, Goldsmid (who had been given the title ''Baron de Goldsmid e de Palmeira'' by the Queen of Portugal in 1845) decided to restart development at Adelaide Crescent. He abandoned the original plan for a horseshoe-shape plan and in 1851 commissioned an unknown architect to extend it northwards into a bottle shape, north of which (on the site of the Anthaeum) would be a new residential square: Palmeira Square. The remains of the Anthaeum were cleared in the early 1850s (or possibly as late as 1855),〔 and work began.〔 Houses on the west side of the square, close to the western boundary of the Wick Estate land,〔 were the first to be built.〔 The southernmost houses on each side are attached to the north end of Adelaide Crescent,〔 which was completed in the early 1860s; "the transition from crescent into square is most elegantly handled in a double curve".〔 Between 1855 and 1870, 34 houses were built, all in the same "vigorous and healthy" post-Regency Victorian/Italianate style.〔 It took several years for the houses to be occupied. Numbers 33 and 34 on the west side were the first to be taken, in 1859, and by 1866 none of the 17 houses on that side were empty. The first house on the east side was let in 1864, and it took ten years for the whole square to be occupied.〔 Early residents included a wine merchant, a factory owner, and Lady Emily Fletcher who shared the house with her mother, five children and nine servants. An Anglican church to serve the area was provided in 1854. St John the Baptist's Church, a flint-built Decorated Gothic Revival building with a landmark spire, was designed by William and Edward Habershon. Work began in 1852, and the site (at the northwest corner of Palmeira Square, where it joined Church Road) "compels traffic to take an abrupt turn before proceeding westward". It may have been built there to block attempts to build a road north from the Palmeira Square area into the mostly undeveloped land to the north which later became the Cliftonville area of Hove. In keeping with the high-class surroundings, the church was "for many years one of the most fashionable" in either Brighton or Hove.〔 The houses of Palmeira Square were separated from Church Road by a private road which ran parallel (east–west) to the main road, creating a second square of open space. Only residents of Palmeira Square and Adelaide Crescent could gain entry to it; there was a chain across each entrance and a watchman controlled admission. Church Road itself was laid out as a thoroughfare in 1851; until then it had been a footpath. In the same year, an Act of Parliament (the Brunswick Square Improvement Extension Act) was passed to bring Palmeira Square and nearby developments into the jurisdiction of the Brunswick Square Commissioners. Had this Act not been passed, the square would have been governed solely by "the rather nebulous authority of the Parish officials of Hove".〔 One consequence was that Sir Francis Goldsmid (who inherited his father Sir Isaac's estate on 1859) was able to delegate responsibility for the maintenance of the Palmeira Square Enclosure (the garden between the west and east sides) to the Brunswick Square Commissioners from April 1865. Previously Goldsmid himself had to employ and pay a gardener.〔 In 1891, the Hove Commissioners (who now had civic responsibility for the square) tried to make the private road north of the square a public thoroughfare by removing the barriers. Objections from the residents delayed this plan for several years, but the road did eventually open to the public. Accordingly, the land to the north was now considered part of the Palmeira Square area, and the development as a whole consists of two garden squares. The first is the original development bounded to the south by Adelaide Crescent, to the north by the former private road which is now a widened continuation of Western Road and to the west by the 34 houses of the square. The second is the lawned section formed by the junction between the extension of Western Road, Church Road and the connections between them, and all the surrounding buildings of the late 19th century.〔 The open land in between these roads was laid out with grass and was named the Palmeira Mansions Enclosures after the "very fine" Palmeira Mansions were built on the north side of Church Road in 1883–84, effectively forming a new north side to Palmeira Square.〔 Local architect Henry Lanchester designed the mansions and Jabez Reynolds built them. Some of the houses were still unoccupied by 1891 because of a slowdown in the property market. Despite this slump, another local firm, Clayton & Black, designed Gwydyr Mansions on an adjacent site in 1890. The luxury flats, in a Flemish Renaissance Revival style〔 which contrasts with their Italianate neighbours,〔 had an integrated bank, barber's shop and residents' restaurant.〔 In 1889, businessman A.W. Mason (owner of Mason's Ink) bought 33 Palmeira Mansions and in 1899 commissioned S.H. Diplock to give it a new interior according to "the most extreme Victorian theatrical taste".〔 This building is now owned by The English Language Centre Brighton, a language school. Tours of the interior are a feature of the annual Brighton Fringe Festival. On 2 June 1953—the day of the Coronation of Queen Elizabeth II—a floral clock commemorating the event was unveiled in the centre of the Palmeira Mansions Enclosures. Hove Council's Director of Parks and Cemeteries, G.A. Hyland, was the designer. Its slightly raised circular design may be a reference to the nearby Bronze Age barrow, which was destroyed by building work at the north end of the square in 1857. It was the only one on the Sussex coast and was larger than examples found on the South Downs. (The centre of the site is at , about north-northeast of St John the Baptist's Church).〔 The clock had a double face—the first floral clock in the world to have this feature—each with a diameter of . Clockmakers James Richie & Son, who had designed a floral clock in Edinburgh, provided the mechanism. About 35,000 flowers were initially planted, and special temporary floral designs were sometimes put in—for example, to commemorate Brighton & Hove Albion F.C.'s Football League Third Division South title win in 1958, the Queen's Silver Jubilee of 1977 and the Brighton and Hove in Bloom competition in 1998. Vandalism has been a recurrent problem since the 1980s, though.〔 According to a watercolour by an unknown artist (''Adelaide Crescent and Palmeira Square'', 1895) which was sold at auction in 2002, five tennis courts were intended for the Palmeira Square Enclosures. No work towards these plans was ever carried out. Written in the original deeds to each house was a requirement that the exterior of the building and its attached railings and doors had to be painted every three years. This was updated in 1892 to state that "three coats of best oil paint" in a pale stone colour had to be used. Observance of this rule lapsed over time until Hove Council reinforced it in the 1970s—stating that magnolia paint had to be used.〔 Other stipulations added at various times included the maximum number of flats each house could be converted into and a prohibition of drying laundry where it could be seen from outside.〔 Many houses have been converted into flats, including numbers 2–5 (in 1919), 7 (1922), 8 (1921), 10 and 11 (1927),〔 20 (1932) and 30–34 (1904–10).〔〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Palmeira Square」の詳細全文を読む スポンサード リンク
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